PRS SE McCarty 594 Singlecut Electric Guitar – Vintage Sunburst

$1,199.99

Classic Features, Modern Playability

With dual volume and push/pull tone controls, 3-way pickup selector on the upper bout, two-piece bridge, and vintage-style tuners, the SE McCarty 594 Singlecut is built with a classic feature set that will make players feel right at home. Its 58/15 LT “S” pickups were carefully designed to deliver warm, vintage-inspired tone with sweetness and clarity. Whether you are looking for rich, authentic humbucking tones or nuanced, sweet single coils, the SE McCarty 594 Singlecut can master both sonic territories with ease.

Other specifications include a bound 22-fret, 24.594” scale length Pattern Vintage neck and slightly thicker back for sustain.

Designed to capture the heart of the McCarty family of instruments, the SE McCarty 594 Singlecut is a high-quality workhorse instrument.

In stock

SKU: S522VS Categories: , , Tags: , , , , UPC: 825362135357

Description

SPECIFICATIONS

BODY
Body Construction Solidbody
Veneer Flame Maple
Top Wood Maple
Back Wood Mahogany
Top Carve Shallow Violin
NECK
Number of Frets 22
Scale Length 24.594”
Neck Wood Bound Mahogany
Neck Construction Multi-Ply
Truss Rod PRS Double-Acting
Neck Shape Pattern Vintage
Neck Depth At The Nut 7/8″
Width Of Fretboard At The Nut 1 11/16″
Width Of Fretboard At The Body 2 1/4″
Fretboard Wood Rosewood
Fretboard Radius 10″
Fretboard Inlay Birds
Headstock Logo Signature “SE”
NECK/BODY ASSEMBLY
Neck/Body Assembly Type Set
HARDWARE
Bridge PRS Two-Piece
Tuners Vintage-Style
Hardware Type Nickel
Nut PRS
Truss Rod Cover “McCarty 594”
ELECTRONICS
Treble Pickup 58/15 LT “S”
Bass Pickup 58/15 LT “S”
Controls Two Volume and Two Push/Pull Tone Controls with 3-Way Toggle Pickup Switch on Upper Bout
ADDITIONAL INFO
Strings PRS Classic 10-46
Tuning Standard (6 String): E, A, D, G, B, E
Case Gig Bag

For more options check out our Electric Guitars

Brand

PRS - Paul Reed Smith

Paul Reed Smith

This passion for quality affects not only the work habits of individuals but also the structure of the whole company. Paul Smith: “We’re not organized like other companies. Every PRS craftsperson is a self-contained quality control ‘department.’ They have a lot of authority over their work, and if a guitar falls short in any way, they don’t pass it on to the next stage, and they make that decision themselves. They hand guitars back and forth all the time, and they inspect everything over and over. It’s like an old European guild or a shop. There’s a constant ‘is this good enough?’ conversation out there on the factory floor. So the quality control begins at the workbench. It’s not something we overlay or tack on. It’s an integral, organic part of the process, beginning with design and materials selection and going through every single step in construction and testing.”

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