PRS SE Hollowbody Standard – Fire Red Burst

$1,299.99

The SE Hollowbody Standard features an all-mahogany body with hollow construction for a warm, resonant tone. The 22 fret wide fat neck, PRS adjustable stoptail bridge, and 58/15 “S” pickups further promote the SE Hollowbody Standard’s big, clear, balanced voice. This vintage-inspired instrument combines the power and stability of a solid-body electric guitar with the captivating, resonance of a hollowbody instrument, making the SE Hollowbody Standard at home with players of all styles.

IN STOCK
SKU: HBECBFR Categories: , Tags: , , , UPC: 825362039136

Description

The SE Hollowbody Standard features an all-mahogany body with hollow construction for a warm, resonant tone. The 22 fret wide fat neck, PRS adjustable stoptail bridge, and 58/15 “S” pickups further promote the SE Hollowbody Standard’s big, clear, balanced voice. This vintage-inspired instrument combines the power and stability of a solid-body electric guitar with the captivating, resonance of a hollowbody instrument, making the SE Hollowbody Standard at home with players of all styles.

SPECIFICATIONS

BODY
Top Wood Mahogany
Middle Wood Mahogany
Back Wood Mahogany
NECK
Number of Frets 22
Scale Length 25″
Neck Wood Mahogany
Neck Shape Wide Fat
Truss Rod Hollowbody
Fretboard Wood Ebony
Fretboard Inlay Birds
HARDWARE
Bridge PRS Adjustable Stoptail
Tuners PRS-Designed Tuners
Hardware Type Nickel
ELECTRONICS
Treble Pickup 58/15 “S”
Bass Pickup 58/15 “S”
Controls Volume and Tone Control with 3-Way Toggle Pickup Switch
Strings .010 – .046
Included Accessories Hardcase

 

For more options check out our PRS section

Brand

PRS - Paul Reed Smith

Paul Reed Smith

This passion for quality affects not only the work habits of individuals but also the structure of the whole company. Paul Smith: “We’re not organized like other companies. Every PRS craftsperson is a self-contained quality control ‘department.’ They have a lot of authority over their work, and if a guitar falls short in any way, they don’t pass it on to the next stage, and they make that decision themselves. They hand guitars back and forth all the time, and they inspect everything over and over. It’s like an old European guild or a shop. There’s a constant ‘is this good enough?’ conversation out there on the factory floor. So the quality control begins at the workbench. It’s not something we overlay or tack on. It’s an integral, organic part of the process, beginning with design and materials selection and going through every single step in construction and testing.”

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