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$1,519.99
The PRS SE A60E pairs ziricote back and sides with a solid spruce top. The tone favors a full bottom end with rolled-off highs reminiscent of some vintage acoustic guitars. When matched with PRS hybrid “X”/Classical bracing, which allows the top to freely vibrate, the SE A60E’s voice projects with breathtaking volume and delicate nuance. The Angelus Cutaway body shape delivers comfort and playability, well suited for picking and fingerstyle playing.
Plugged in, the PRS-Voiced Fishman Sonitone pickup system delivers dynamic, organic tone and allows players to easily take this guitar from rehearsal to the stage. This electronics system features an undersaddle pickup and soundhole mounted preamp with easy-to-access volume and tone controls.
The SE A60E is beautifully appointed with abalone and figured maple accents. Additional high-quality features include a solid spruce top, ebony fretboard and bridge, bone nut and saddle, as well as PRS trademark bird inlays and headstock design. Ships with a high-quality hardshell case.
Plugged in, the PRS-Voiced Fishman Sonitone Pickup delivers dynamic, organic tone that allows the natural sound of the instrument to come through. “The EQ in this pickup system sounds like you mic’d the guitar. It’s very musical,” said Paul Reed Smith. This electronics system features an undersaddle pickup and soundhole mounted preamp with easy-to-access volume and tone controls.
Additional high-quality features include a solid top, ebony fretboard and bridge, bone nut and saddle, as well as PRS trademark bird inlays and headstock design. Ships in a high-quality acoustic gig bag.
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Description
SPECIFICATIONS
| BODY | |
|---|---|
| Top Wood | Solid Sitka Spruce |
| Middle Wood | Ziricote |
| Back Wood | Ziricote |
| Body Shape | Angelus Cutaway |
| Body Depth at Neck Block | 3 19/32” |
| Body Depth at Tail Block | 4 3/8” |
| Bracing | PRS Hybrid “X”/Classical Bracing |
| Body Purfling | Abalone |
| Body Binding | Curly Maple |
| Rosette | Black/Abalone |
| NECK | |
|---|---|
| Number of Frets | 20 |
| Scale Length | 25.3” |
| Neck Wood | Mahogany |
| Neck Shape | Wide Fat |
| String Spacing | 2 7/32” |
| Fretboard Wood | Ebony w/ Curly Maple Binding |
| Fretboard Inlay | Abalone Birds |
| Fretboard Radius | 11.81″ |
| Strength/Truss Rod | Adjustable |
| Neck Depth At The Nut | 7/8” |
| Width of Fretboard at the Body | 2 9/32″ |
| Width of Fretboard at the Nut | 1 11/16″ |
| Nut | Bone |
| HARDWARE | |
|---|---|
| Bridge Wood | Ebony |
| Tuners | PRS-Designed |
| Acoustic Saddle | Bone |
| Acoustic Strings | .012-.053 |
| Included Accessories | Hardshell Case |
| ELECTRONICS | |
|---|---|
| Pickup | PRS-Voiced Fishman Sonitone with Soundhole-Mounted Volume and Tone Controls |
For more options check out our Acoustic Guitars
Brand
PRS - Paul Reed Smith
Paul Reed Smith
This passion for quality affects not only the work habits of individuals but also the structure of the whole company. Paul Smith: “We’re not organized like other companies. Every PRS craftsperson is a self-contained quality control ‘department.’ They have a lot of authority over their work, and if a guitar falls short in any way, they don’t pass it on to the next stage, and they make that decision themselves. They hand guitars back and forth all the time, and they inspect everything over and over. It’s like an old European guild or a shop. There’s a constant ‘is this good enough?’ conversation out there on the factory floor. So the quality control begins at the workbench. It’s not something we overlay or tack on. It’s an integral, organic part of the process, beginning with design and materials selection and going through every single step in construction and testing.”
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