PRS SE A20E Angelus Acoustic Guitar – Black

$899.99

The PRS SE A20E brings all-mahogany construction to our best-selling body shape: the Angelus Cutaway. The Angelus Cutaway body shape delivers comfort and playability and is well-suited for picking and fingerstyle playing. The all-mahogany body gives the PRS SE A20E an organic, warm voice. When matched with PRS hybrid “X”/Classical bracing, which allows the top to freely vibrate and project, the SE A20E’s voice projects with breathtaking volume and delicate nuance.

Plugged in, the PRS-Voiced Fishman Sonitone Pickup delivers dynamic, organic tone that allows the natural sound of the instrument to come through. “The EQ in this pickup system sounds like you mic’d the guitar. It’s very musical,” said Paul Reed Smith. This electronics system features an undersaddle pickup and soundhole mounted preamp with easy-to-access volume and tone controls.

Additional high-quality features include a solid top, ebony fretboard and bridge, bone nut and saddle, as well as PRS trademark bird inlays and headstock design. Ships in a high-quality acoustic gig bag.

In stock

SKU: AE20ESABX Categories: , Tags: , , , UPC: 825362127505

Description

SPECIFICATIONS

BODY
Top Wood Solid Mahogany
Middle Wood Mahogany
Back Wood Mahogany
Body Shape Angelus Cutaway
Body Depth at Neck Block 3 19/32”
Body Depth at Tail Block 4 3/8”
Bracing PRS Hybrid “X”/Classical Bracing
Body Binding Cream
Rosette Herringbone, Crème
NECK
Number of Frets 20
Scale Length 25.3”
Neck Wood Mahogany
Neck Shape Wide Fat
String Spacing 2 7/32”
Fretboard Wood Ebony
Fretboard Inlay Birds
Fretboard Radius 11.81″
Strength/Truss Rod PRS Double Action Truss Rod
Neck Depth At The Nut 7/8”
Width of Fretboard at the Body 2 9/32″
Width of Fretboard at the Nut 1 11/16″
Nut Bone
HARDWARE
Bridge Wood Ebony
Tuners PRS-Designed
Acoustic Saddle Bone
Acoustic Strings .012-.053
Included Accessories Gig Bag

For more options check out our Acoustic Guitars

Brand

PRS - Paul Reed Smith

Paul Reed Smith

This passion for quality affects not only the work habits of individuals but also the structure of the whole company. Paul Smith: “We’re not organized like other companies. Every PRS craftsperson is a self-contained quality control ‘department.’ They have a lot of authority over their work, and if a guitar falls short in any way, they don’t pass it on to the next stage, and they make that decision themselves. They hand guitars back and forth all the time, and they inspect everything over and over. It’s like an old European guild or a shop. There’s a constant ‘is this good enough?’ conversation out there on the factory floor. So the quality control begins at the workbench. It’s not something we overlay or tack on. It’s an integral, organic part of the process, beginning with design and materials selection and going through every single step in construction and testing.”

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