PRS SE Standard 24-08 Electric Guitar- Tobacco Sunburst

$999.99

The PRS SE Standard 24-08 is a mahogany-body workhorse guitar with powerful humbucking and true single-coil tones in one instrument. Its PRS TCI “S” pickups are paired with a 3-way toggle switch and two mini-toggle coil split switches that individually split the humbuckers into true single coils for a total of eight pickup configurations. Players can enjoy two full octaves thanks to the 24-fret, 25” scale length rosewood fretboard and wide thin maple neck, and the PRS patented, molded tremolo gives players added flexibility and control over their playing. With sonic range and rock-solid reliability, the PRS SE Standard 24-08 will keep you playing without compromise.

In stock

Description

PRS SE Standard 24-08 Electric Guitar Tobacco Sunburst

SPECIFICATIONS

BODY
Body Construction Solidbody
Body Wood Mahogany
Top Carve Shallow Violin
NECK
Number of Frets 24
Scale Length 25″
Neck Wood Maple
Neck Construction Multi-Ply
Truss Rod PRS Double-Acting
Neck Shape Wide Thin
Neck Depth At The Nut 13/16″
Width Of Fretboard At The Nut 1 11/16″
Width Of Fretboard At The Body 2 1/4″
Fretboard Wood Rosewood
Fretboard Radius 10″
Fretboard Inlay Birds
Headstock Logo Signature “SE”, Decal
NECK/BODY ASSEMBLY
Neck/Body Assembly Type Set
HARDWARE
Bridge PRS Patented Tremolo, Molded
Tuners PRS Designed Tuners
Hardware Type Nickel
Nut PRS
Truss Rod Cover “Standard”
ELECTRONICS
Treble Pickup TCI “S”
Bass Pickup TCI “S”
Controls Volume and Tone Controls with 3-Way Toggle Pickup Switch & Two Mini-Toggle Coil-Split Switches
ADDITIONAL INFO
Strings PRS Classic 9-42
Tuning Standard (6 String): E, A, D, G, B, E
Case Gigbag

For more options check out our Electric Guitars. 

Additional information

Weight 12 kg
Dimensions 45 × 25 × 5 cm

Brand

PRS - Paul Reed Smith

Paul Reed Smith

This passion for quality affects not only the work habits of individuals but also the structure of the whole company. Paul Smith: “We’re not organized like other companies. Every PRS craftsperson is a self-contained quality control ‘department.’ They have a lot of authority over their work, and if a guitar falls short in any way, they don’t pass it on to the next stage, and they make that decision themselves. They hand guitars back and forth all the time, and they inspect everything over and over. It’s like an old European guild or a shop. There’s a constant ‘is this good enough?’ conversation out there on the factory floor. So the quality control begins at the workbench. It’s not something we overlay or tack on. It’s an integral, organic part of the process, beginning with design and materials selection and going through every single step in construction and testing.”

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