PRS SE 245 Electric Guitar – Vintage Sunburst

$1,039.99

The SE 245 will cover all of the tones you need in style and is the answer for players who grew up using short scale, single-cutaway guitars. The 24.5” scale length, Wide Fat neck is instantly comfortable, and the 245 “S” treble and bass humbuckers with dual volume and dual tone controls give the SE 245 a classic voice that is eminently recordable and gig ready. Bird inlays and the PRS SE signature logo design come standard.

IN STOCK
SKU: 245VS Categories: , Tags: , , , UPC: 825362026242

Description

SPECIFICATIONS

BODY
Body Construction Solidbody
Veneer Flame Maple
Top Wood Maple
Back Wood Mahogany
Top Carve Bevel
NECK
Number of Frets 22
Scale Length 24.5″
Neck Wood Mahogany
Neck Construction Multi-Ply
Truss Rod PRS Double-Acting
Neck Shape Wide Fat
Neck Depth At The Nut 7/8″
Width Of Fretboard At The Nut 1 11/16″
Width Of Fretboard At The Body 2 1/4″
Fretboard Wood Rosewood
Fretboard Radius 10″
Fretboard Inlay Birds
Headstock Logo Signature “SE”, Decal
NECK/BODY ASSEMBLY
Neck/Body Assembly Type Set
HARDWARE
Bridge PRS Adjustable Stoptail
Tuners PRS Designed Tuners
Hardware Type Nickel
Nut PRS
Truss Rod Cover “245”
ELECTRONICS
Treble Pickup 245 “S”
Bass Pickup 245 “S”
Controls Volume and Tone Control for Each Pickup and 3-Way Toggle Pickup Switch
ADDITIONAL INFO
Strings PRS Classic 9-42
Tuning Standard (6 String): E, A, D, G, B, E
Case Gigbag

For more options visit our PRS section

Brand

PRS - Paul Reed Smith

Paul Reed Smith

This passion for quality affects not only the work habits of individuals but also the structure of the whole company. Paul Smith: “We’re not organized like other companies. Every PRS craftsperson is a self-contained quality control ‘department.’ They have a lot of authority over their work, and if a guitar falls short in any way, they don’t pass it on to the next stage, and they make that decision themselves. They hand guitars back and forth all the time, and they inspect everything over and over. It’s like an old European guild or a shop. There’s a constant ‘is this good enough?’ conversation out there on the factory floor. So the quality control begins at the workbench. It’s not something we overlay or tack on. It’s an integral, organic part of the process, beginning with design and materials selection and going through every single step in construction and testing.”

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