Description
Parlor-sized acoustics can be miscategorized because of their size but make no mistake this is a professional-grade instrument. Plug in, and the Fishman GT1 pickup system delivers dynamic, organic tone, so whether writing, recording, or performing the P20E is sure to impress. This electronics system features an undersaddle pickup and soundhole mounted preamp with easy-to-access volume and tone controls, which essentially transforms what some may consider a “couch guitar” into a workhorse stage instrument.
Available in three satin finishes with herringbone rosettes and accents, PRS SE Parlor acoustics look as good as they sound. Other high-quality features include a solid mahogany top, ebony fretboard and bridge, bone nut and saddle, as well as PRS trademark bird inlays and headstock design. PRS SE Parlor acoustics come with a gig bag and are strung with 12-53 strings.
SPECIFICATIONS
BODY |
Top Wood |
Solid Mahogany |
Middle Wood |
Mahogany |
Back Wood |
Mahogany |
Body Shape |
Tonare |
Body Depth at Neck Block |
3 15/32” |
Body Depth at Tail Block |
3 7/8” |
Bracing |
PRS Hybrid “X”/Classical Bracing |
Body Binding |
Herringbone, Crème |
Rosette |
Herringbone, Crème |
NECK |
Number of Frets |
20 |
Scale Length |
24.72” |
Neck Wood |
Mahogany |
Neck Shape |
Wide Fat |
Fretboard Wood |
Ebony |
Fretboard Inlay |
Birds |
Strength/Truss Rod |
Adjustable |
Nut |
Bone |
HARDWARE |
Bridge Wood |
Ebony |
Tuners |
Vintage-Style with Butterbean Buttons |
Acoustic Saddle |
Bone |
Acoustic Strings |
.012-.053 |
ELECTRONICS |
Pickup |
Fishman GT1 |
Brand
PRS - Paul Reed Smith
Paul Reed Smith
This passion for quality affects not only the work habits of individuals but also the structure of the whole company. Paul Smith: “We’re not organized like other companies. Every PRS craftsperson is a self-contained quality control ‘department.’ They have a lot of authority over their work, and if a guitar falls short in any way, they don’t pass it on to the next stage, and they make that decision themselves. They hand guitars back and forth all the time, and they inspect everything over and over. It’s like an old European guild or a shop. There’s a constant ‘is this good enough?’ conversation out there on the factory floor. So the quality control begins at the workbench. It’s not something we overlay or tack on. It’s an integral, organic part of the process, beginning with design and materials selection and going through every single step in construction and testing.”
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