PRS SE P20E Parlor Acoustic Guitar – Vintage Mahogony

$649.99

The PRS SE P20E is a parlor-sized acoustic with a big voice. The PRS P20E features all-mahogany construction, and has an organic, warm voice. Featuring PRS hybrid “X”/Classical bracing, which allows the top to freely vibrate, the SE P20E projects with even, bold tone. Its smaller size makes playing for hours fun and comfortable and allows for more convenient transport.

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Description

Parlor-sized acoustics can be miscategorized because of their size but make no mistake this is a professional-grade instrument. Plug in, and the Fishman GT1 pickup system delivers dynamic, organic tone, so whether writing, recording, or performing the P20E is sure to impress. This electronics system features an undersaddle pickup and soundhole mounted preamp with easy-to-access volume and tone controls, which essentially transforms what some may consider a “couch guitar” into a workhorse stage instrument.

Available in three satin finishes with herringbone rosettes and accents, PRS SE Parlor acoustics look as good as they sound. Other high-quality features include a solid mahogany top, ebony fretboard and bridge, bone nut and saddle, as well as PRS trademark bird inlays and headstock design. PRS SE Parlor acoustics come with a gig bag and are strung with 12-53 strings.

SPECIFICATIONS

BODY
Top Wood Solid Mahogany
Middle Wood Mahogany
Back Wood Mahogany
Body Shape Tonare
Body Depth at Neck Block 3 15/32”
Body Depth at Tail Block 3 7/8”
Bracing PRS Hybrid “X”/Classical Bracing
Body Binding Herringbone, Crème
Rosette Herringbone, Crème
NECK
Number of Frets 20
Scale Length 24.72”
Neck Wood Mahogany
Neck Shape Wide Fat
Fretboard Wood Ebony
Fretboard Inlay Birds
Strength/Truss Rod Adjustable
Nut Bone
HARDWARE
Bridge Wood Ebony
Tuners Vintage-Style with Butterbean Buttons
Acoustic Saddle Bone
Acoustic Strings .012-.053
ELECTRONICS
Pickup Fishman GT1

Brand

PRS - Paul Reed Smith

Paul Reed Smith

This passion for quality affects not only the work habits of individuals but also the structure of the whole company. Paul Smith: “We’re not organized like other companies. Every PRS craftsperson is a self-contained quality control ‘department.’ They have a lot of authority over their work, and if a guitar falls short in any way, they don’t pass it on to the next stage, and they make that decision themselves. They hand guitars back and forth all the time, and they inspect everything over and over. It’s like an old European guild or a shop. There’s a constant ‘is this good enough?’ conversation out there on the factory floor. So the quality control begins at the workbench. It’s not something we overlay or tack on. It’s an integral, organic part of the process, beginning with design and materials selection and going through every single step in construction and testing.”

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