PRS SE Custom 24 Quilt Electric Guitar – Violet

$1,349.99

Professional Quality. Classic PRS Design.

The PRS SE Custom 24 Quilt brings the original PRS to the more-accessible SE Series with the addition of a quilted maple top veneer and matching quilted maple headstock veneer. This model’s polished aesthetic gives the guitar stage-worthy style to go with its road-worthy reliability.

With a 24-fret, 25” scale length, Wide Thin maple neck, the SE Custom 24 Quilt is comfortable and addictive to play. The 85/15 “S” dual humbuckers and 3-way blade switch with push/pull coil split tone control offer versatility and full-spectrum tone. A fitting workhorse for touring musicians, professional players, and at home guitarists alike.

In stock

SKU: CU44QQEIBVI Categories: , , Tags: , , , UPC: 825362160885

Description

SPECIFICATIONS

BODY
Body Construction Solidbody
Top Wood Maple
Veneer Quilted Maple
Back Wood Mahogany
Top Carve Shallow Violin
NECK
Number of Frets 24
Scale Length 25″
Neck Wood Maple
Neck Construction Scarfed
Truss Rod PRS Double-Acting
Neck Shape Wide Thin
Neck Depth at the 1/2 Fret 13/16″
Neck Depth at the 12 1/2 Fret 57/64″
Neck Width at the Nut 1 11/16″
Neck Width at the Body 2 1/4″
Fretboard Wood Ebony
Fretboard Radius 10″
Fretboard Inlay Birds
Headstock Logo Signature “SE”
NECK/BODY ASSEMBLY
Neck/Body Assembly Type Set
HARDWARE
Bridge PRS Patented Tremolo, Molded
Tuners PRS Designed Tuners
Hardware Type Nickel
Nut PRS
Truss Rod Cover “Custom”
ELECTRONICS
Treble Pickup 85/15 “S”
Bass Pickup 85/15 “S”
Controls Volume and Push/Pull Tone Control with 3-Way Blade Pickup Switch
ADDITIONAL INFO
Strings PRS Classic 9-42
Tuning Standard (6 String): E, A, D, G, B, E
Case Gig Bag

For more options check out our PRS section

Brand

PRS - Paul Reed Smith

Paul Reed Smith

This passion for quality affects not only the work habits of individuals but also the structure of the whole company. Paul Smith: “We’re not organized like other companies. Every PRS craftsperson is a self-contained quality control ‘department.’ They have a lot of authority over their work, and if a guitar falls short in any way, they don’t pass it on to the next stage, and they make that decision themselves. They hand guitars back and forth all the time, and they inspect everything over and over. It’s like an old European guild or a shop. There’s a constant ‘is this good enough?’ conversation out there on the factory floor. So the quality control begins at the workbench. It’s not something we overlay or tack on. It’s an integral, organic part of the process, beginning with design and materials selection and going through every single step in construction and testing.”

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