PRS SE Custom 22 Semi-Hollow Electric Guitar – Santana Yellow

$1,199.99

The PRS SE Custom 22 Semi-Hollow has musical midrange and outstanding resonance. The semi-hollow body provides an airy, sweet tone but with a twist of the tone knob, the dual humbuckers can get plenty of bright spank. Additional appointments include a maple top, mahogany back and neck, rosewood fretboard, and dual 85/15 “S” pickups with volume and push/pull tone controls (for coil tapping) paired with a 3-way blade pickup selector. 85/15 “S” pickups lend remarkable clarity and extended high and low end to this semi-hollow’s voice.

The SE Custom 22 Semi-Hollow is both versatile and comfortable, making it a reliable tool for professionals, a solid choice for beginners, and a welcome addition to any arsenal.

In stock

SKU: CU22SHSY Categories: , Tags: , , , UPC: 825362135296

Description

Specifications

Body and Bridge

  • Top Material: Flame Maple
  • Body Material: Mahogany
  • Shape: Cutaway Violin Top
  • Colour: Santana Yellow
  • Bridge: PRS Tremolo

Neck and Fingerboard

  • Neck Material: Maple
  • Neck Profile: Wide Thin
  • Scale Length: 25″
  • Fingerboard Material: Rosewood
  • Fingerboard Radius: 10″
  • Inlays: Bird
  • Nut: PRS

Hardware and Electronics

  • Pickups: 85/15 S
  • Controls: Volume, Pull/Pull Tone, 3-Way Blade Pickup Switch
  • Tuning Machines: PRS
  • Hardware: Nickel
  • Case: Gig Bag Included

For more options check out our Electric Guitars

Brand

PRS - Paul Reed Smith

Paul Reed Smith

This passion for quality affects not only the work habits of individuals but also the structure of the whole company. Paul Smith: “We’re not organized like other companies. Every PRS craftsperson is a self-contained quality control ‘department.’ They have a lot of authority over their work, and if a guitar falls short in any way, they don’t pass it on to the next stage, and they make that decision themselves. They hand guitars back and forth all the time, and they inspect everything over and over. It’s like an old European guild or a shop. There’s a constant ‘is this good enough?’ conversation out there on the factory floor. So the quality control begins at the workbench. It’s not something we overlay or tack on. It’s an integral, organic part of the process, beginning with design and materials selection and going through every single step in construction and testing.”

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