PRS SE 245 Standard Electric Guitar – Tobacco Sunburst

$769.99

Perfect as a first guitar or the last guitar you’ll ever need, the PRS SE 245 Standard has a classic voice that is eminently recordable and gig-ready, thanks to its 245 “S” pickups and versatile control layout. Classic PRS appointments include a set Wide Fat mahogany neck, rosewood fretboard with bird inlays, PRS-Designed stoptail bridge and tuners. The 24.5″ scale length makes this instrument instantly comfortable to players who prefer short-scale guitars. The all-mahogany body is reminiscent of Paul’s first pre-factory instruments and offers a warm, woody tone.

“With so many aspiring players struggling to stick with guitar past the first year, we knew we wanted to deliver an affordable quality guitar that players didn’t have to fight. We want the guitar to inspire you to play; it can’t be something you have to worry about staying in tune or simply working right. So while the [SE] Standards are our first foray into the below $500 price point, that doesn’t mean we compromised on tone, versatility, playability, or reliability,” said Jack Higginbotham, COO, PRS Guitars. “We’re very proud to offer these guitars to the world.”

IN STOCK

Description

SPECIFICATIONS

BODY
Body Wood Bound Mahogany
NECK
Number of Frets 22
Scale Length 24.5″
Neck Wood Bound Mahogany
Neck Shape Wide Fat
Neck Depth At The Nut
27/32″
Width of Fretboard at the Body
2 1/4″
Width of Fretboard at the Nut
1 11/16″
Fretboard Wood Rosewood
Fretboard Inlay Birds
HARDWARE
Bridge PRS-Designed Stoptail
Tuners PRS-Designed Tuners
Hardware Type Nickel
ELECTRONICS
Treble Pickup 245 “S”
Bass Pickup 245 “S”
Controls Volume and Tone Controls for Each Pickup with 3-Way Toggle Pickup Switch on Upper Bout

 

For more options visit our PRS section

Brand

PRS - Paul Reed Smith

Paul Reed Smith

This passion for quality affects not only the work habits of individuals but also the structure of the whole company. Paul Smith: “We’re not organized like other companies. Every PRS craftsperson is a self-contained quality control ‘department.’ They have a lot of authority over their work, and if a guitar falls short in any way, they don’t pass it on to the next stage, and they make that decision themselves. They hand guitars back and forth all the time, and they inspect everything over and over. It’s like an old European guild or a shop. There’s a constant ‘is this good enough?’ conversation out there on the factory floor. So the quality control begins at the workbench. It’s not something we overlay or tack on. It’s an integral, organic part of the process, beginning with design and materials selection and going through every single step in construction and testing.”

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