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Original price was: $969.99.$775.99Current price is: $775.99.
With a voice that is classic, eminently recordable and gig ready, the SE 245 is perfect for traditional single-cutaway players. The 24.5″ scale length makes this instrument instantly comfortable to players who grew up using short scale guitars. Volume and tone controls for each pickup, a 3-way toggle and bird inlays are all standard appointments.
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Description
With a voice that is classic, eminently recordable and gig ready, the SE 245 is perfect for traditional single-cutaway players. The 24.5″ scale length makes this instrument instantly comfortable to players who grew up using short scale guitars. Volume and tone controls for each pickup, a 3-way toggle and bird inlays are all standard appointments.
SPECIFICATIONS
| BODY | |
|---|---|
| Top Wood | Beveled Maple with Flame Maple Veneer |
| Back Wood | Mahogany |
| NECK | ||
|---|---|---|
| Number of Frets | 22 | |
| Scale Length | 24.5″ | |
| Neck Wood | Mahogany | |
| Neck Shape | Wide Fat | |
| Neck Depth At The Nut |
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| Width of Fretboard at the Body |
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| Width of Fretboard at the Nut |
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| Fretboard Wood | Rosewood | |
| Fretboard Inlay | Birds | |
| HARDWARE | |
|---|---|
| Bridge | PRS-Designed Stoptail |
| Tuners | PRS-Designed Tuners |
| Hardware Type | Nickel |
| ELECTRONICS | |
|---|---|
| Treble Pickup | SE 245 Treble Humbucker |
| Bass Pickup | SE 245 Bass Humbucker |
| Controls | Volume and Tone Controls For Each Pickup and 3-Way Toggle Pickup Selector On Upper Bout |
For more options visit our PRS section
Brand
PRS - Paul Reed Smith
Paul Reed Smith
This passion for quality affects not only the work habits of individuals but also the structure of the whole company. Paul Smith: “We’re not organized like other companies. Every PRS craftsperson is a self-contained quality control ‘department.’ They have a lot of authority over their work, and if a guitar falls short in any way, they don’t pass it on to the next stage, and they make that decision themselves. They hand guitars back and forth all the time, and they inspect everything over and over. It’s like an old European guild or a shop. There’s a constant ‘is this good enough?’ conversation out there on the factory floor. So the quality control begins at the workbench. It’s not something we overlay or tack on. It’s an integral, organic part of the process, beginning with design and materials selection and going through every single step in construction and testing.”
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