PRS SE 245 Electric Guitar – Tobacco Burst

$969.99

With a voice that is classic, eminently recordable and gig ready, the SE 245 is perfect for traditional single-cutaway players. The 24.5″ scale length makes this instrument instantly comfortable to players who grew up using short scale guitars. Volume and tone controls for each pickup, a 3-way toggle and bird inlays are all standard appointments.

IN STOCK

Description

With a voice that is classic, eminently recordable and gig ready, the SE 245 is perfect for traditional single-cutaway players. The 24.5″ scale length makes this instrument instantly comfortable to players who grew up using short scale guitars. Volume and tone controls for each pickup, a 3-way toggle and bird inlays are all standard appointments.

SPECIFICATIONS

BODY
Top Wood Beveled Maple with Flame Maple Veneer
Back Wood Mahogany
NECK
Number of Frets 22
Scale Length 24.5″
Neck Wood Mahogany
Neck Shape Wide Fat
Neck Depth At The Nut
27/32″
Width of Fretboard at the Body
2 1/4″
Width of Fretboard at the Nut
1 11/16″
Fretboard Wood Rosewood
Fretboard Inlay Birds
HARDWARE
Bridge PRS-Designed Stoptail
Tuners PRS-Designed Tuners
Hardware Type Nickel
ELECTRONICS
Treble Pickup SE 245 Treble Humbucker
Bass Pickup SE 245 Bass Humbucker
Controls Volume and Tone Controls For Each Pickup and 3-Way Toggle Pickup Selector On Upper Bout

 

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Brand

PRS - Paul Reed Smith

Paul Reed Smith

This passion for quality affects not only the work habits of individuals but also the structure of the whole company. Paul Smith: “We’re not organized like other companies. Every PRS craftsperson is a self-contained quality control ‘department.’ They have a lot of authority over their work, and if a guitar falls short in any way, they don’t pass it on to the next stage, and they make that decision themselves. They hand guitars back and forth all the time, and they inspect everything over and over. It’s like an old European guild or a shop. There’s a constant ‘is this good enough?’ conversation out there on the factory floor. So the quality control begins at the workbench. It’s not something we overlay or tack on. It’s an integral, organic part of the process, beginning with design and materials selection and going through every single step in construction and testing.”

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