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$1,149.99
The PRS SE Silver Sky is a familiar iteration of the original Silver Sky model that was first introduced
with John Mayer in 2018. This workhorse guitar provides ample tone and playability in four distinct
colors, delivering looks, feel, and sound.
The PRS SE Silver Sky starts with a poplar body, bolt-on maple neck, and rosewood fretboard with
PRS trademark bird inlays. The 22-fret, 25.5” scale length neck features the original 635JM carve
and an 8.5” fretboard radius, so the PRS SE Silver Sky will feel right at home. Plug it in, and the
three single-coil 635JM “S” pickups will bark and sing. This guitar is anchored by a two-point steel
tremolo, synthetic bone nut, and vintage-style tuners. Other design features include the PRS Silver
Sky inverted headstock shape and the PRS double-acting truss rod (accessible from the front of
the headstock for ease of use). Ships with PRS Classic 10-46 strings and gig bag.
Description
BODY
Body Construction Solid body
Body Wood Poplar
NECK
Number of Frets 22
Scale Length 25.5”
Neck Wood Maple
Neck Construction Scarfed
Truss Rod PRS Double-Acting
Neck Shape 635JM
Neck Depth at the ½ Fret 53/64”
Width of the Fretboard at the Nut 1 20/32”
Width of the Fretboard at the Body 2 7/32”
Neck Depth at the 12 ½ Fret 31/32”
Fretboard Wood Rosewood
Fretboard Radius 8.5”
Fretboard Inlay Small Birds
Headstock Decal PRS Signature/SE
NBA Bolt-On
HARDWARE
Bridge 2-Point Steel Tremolo
Tuners Vintage Style, Non-Locking
Hardware Type Nickel
Nut Synthetic Bone
Pickguard ABS
ELECTRONICS
Treble Pickup 635JM “S”
Middle Pickup 635JM “S”
Bass Pickup 635JM “S”
Controls Volume and Two Tone Controls
with 5-Way Blade Pickup Switch
PICKUP SWITCH POSITIONS
P1 (down): treble pickup
P2: treble and middle pickups
P3: middle pickup
P4: middle and bass pickups
P5 (up): bass pickup
ADDITIONAL INFO/SHIPS WITH
Strings PRS Classic 10-46
Tuning Standard Tuning: E,A,D,G,B,E
Case Gig Bag
For more options check out our PRS section
Brand
PRS - Paul Reed Smith
Paul Reed Smith
This passion for quality affects not only the work habits of individuals but also the structure of the whole company. Paul Smith: “We’re not organized like other companies. Every PRS craftsperson is a self-contained quality control ‘department.’ They have a lot of authority over their work, and if a guitar falls short in any way, they don’t pass it on to the next stage, and they make that decision themselves. They hand guitars back and forth all the time, and they inspect everything over and over. It’s like an old European guild or a shop. There’s a constant ‘is this good enough?’ conversation out there on the factory floor. So the quality control begins at the workbench. It’s not something we overlay or tack on. It’s an integral, organic part of the process, beginning with design and materials selection and going through every single step in construction and testing.”
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