PRS SE Paul’s Guitar Electric Guitar – Charcoal

$1,419.99

“The SE Paul’s Guitar is a great example of design, engineering, and teamwork. It’s as close to home as we could get inside of the SE Series, and I am very proud of it,” – Paul Reed Smith

The SE Paul’s Guitar delivers a lot of “PRS,” starting with tone and versatility. The TCI “S” treble and bass pickups deliver a pure, vintage sound. The SE Paul’s Guitar also features two mini-toggle switches between the volume and tone knobs. This setup allows players to put either or both pickups in true single coil mode, which delivers the clarity and uniqueness of vintage single-coil tones in both single coil and humbucking positions. The PRS stoptail bridge is the same machined stoptail with brass inserts as spec’d on the Core Paul’s Guitar.

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SKU: PGCH Categories: , , Tags: , , , UPC: 825362164654

Description

SPECIFICATIONS

BODY
Body Construction Solidbody
Veneer Flame Maple
Top Wood Maple
Back Wood Mahogany
Top Carve Shallow Violin
NECK
Number of Frets 22
Scale Length 25″
Neck Wood Mahogany
Neck Construction Multi-Ply
Truss Rod PRS Double-Acting
Neck Shape Wide Fat
Neck Depth At The Nut 7/8″
Width Of Fretboard At The Nut 1 11/16″
Width Of Fretboard At The Body 2 1/4″
Fretboard Wood Rosewood
Fretboard Radius 10″
Fretboard Inlay Birds
Headstock Logo Signature “SE”
NECK/BODY ASSEMBLY
Neck/Body Assembly Type Set
HARDWARE
Bridge PRS Stoptail w/ Brass Inserts
Tuners Vintage-Style
Hardware Type Nickel
Nut PRS
ELECTRONICS
Treble Pickup TCI “S”
Bass Pickup TCI “S”
Controls Volume and Tone Controls with 3-Way Toggle Pickup Switch & Two Mini-Toggle Coil-Split Switches
ADDITIONAL INFO
Strings PRS Classic 10-46
Tuning Standard (6 String): E, A, D, G, B, E
Case Gig Bag

For more options check out our Electric Guitars

Brand

PRS - Paul Reed Smith

Paul Reed Smith

This passion for quality affects not only the work habits of individuals but also the structure of the whole company. Paul Smith: “We’re not organized like other companies. Every PRS craftsperson is a self-contained quality control ‘department.’ They have a lot of authority over their work, and if a guitar falls short in any way, they don’t pass it on to the next stage, and they make that decision themselves. They hand guitars back and forth all the time, and they inspect everything over and over. It’s like an old European guild or a shop. There’s a constant ‘is this good enough?’ conversation out there on the factory floor. So the quality control begins at the workbench. It’s not something we overlay or tack on. It’s an integral, organic part of the process, beginning with design and materials selection and going through every single step in construction and testing.”

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