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PRS SE Custom 24 Electric Guitar – Black Gold Burst

Original price was: $1,149.99.Current price is: $977.49.

The SE Custom 24 brings the original PRS design platform to the high-quality, more affordable SE line up of instruments. Played by internationally touring artists, gigging musicians, and aspiring players, the SE Custom 24 features a maple top, mahogany back, wide thin maple neck, rosewood fretboard with bird inlays, and the PRS patented molded tremolo bridge. Its versatile sounds come from the 85/15 “S” pickups paired with a volume, push/pull tone control, and 3-way blade pickup selector. The SE Custom 24 is a modern classic with roadworthy durability, addictive playability, and wide array of tones, making it a perfect workhorse guitar.

In stock

SKU: CU44BG Categories: , , Tags: , , UPC: 825362072096

Description

PRS SE Custom 24 in Black Gold Burst.

SPECIFICATIONS

BODY
Body Construction Solidbody
Veneer Flame Maple
Top Wood Maple
Back Wood Mahogany
Top Carve Shallow Violin
NECK
Number of Frets 24
Scale Length 25″
Neck Wood Maple
Neck Construction Multi-Ply
Truss Rod PRS Double-Acting
Neck Shape Wide Thin
Neck Depth At The Nut 13/16″
Width Of Fretboard At The Nut 1 11/16″
Width Of Fretboard At The Body 2 1/4″
Fretboard Wood Rosewood
Fretboard Radius 10″
Fretboard Inlay Birds
Headstock Logo Signature “SE”, Decal
NECK/BODY ASSEMBLY
Neck/Body Assembly Type Set
HARDWARE
Bridge PRS Patented Tremolo, Molded
Tuners PRS Designed Tuners
Hardware Type Nickel
Nut PRS
Truss Rod Cover “Custom”
ELECTRONICS
Treble Pickup 85/15 “S”
Bass Pickup 85/15 “S”
Controls Volume and Push/Pull Tone Control with 3-Way Blade Switch
ADDITIONAL INFO
Strings PRS Classic 9-42
Tuning Standard (6 String): E, A, D, G, B, E
Case Gigbag

Additional information

Weight 10 kg

Brand

PRS - Paul Reed Smith

Paul Reed Smith

This passion for quality affects not only the work habits of individuals but also the structure of the whole company. Paul Smith: “We’re not organized like other companies. Every PRS craftsperson is a self-contained quality control ‘department.’ They have a lot of authority over their work, and if a guitar falls short in any way, they don’t pass it on to the next stage, and they make that decision themselves. They hand guitars back and forth all the time, and they inspect everything over and over. It’s like an old European guild or a shop. There’s a constant ‘is this good enough?’ conversation out there on the factory floor. So the quality control begins at the workbench. It’s not something we overlay or tack on. It’s an integral, organic part of the process, beginning with design and materials selection and going through every single step in construction and testing.”

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