PRS SE CE 24 Standard Electric Guitar – Charcoal

$719.99

Professional Quality with a Popular Price Tag

Originally introduced in 1988, the CE has become an essential part of the PRS line-up, offering the snap and response of bolt-on construction. The SE CE 24 Standard is the most affordable CE yet, pairing an all-mahogany body with a bolt-on maple neck. The mahogany body features a thin satin finish that results in a highly resonant instrument, and the maple neck’s semi-gloss finish provides a smooth playing feel. The PRS 85/15 “S” pickups provide extended high and low end with clarity and balance, while the push/pull tone control adds the versatility of coil taps.

This workhorse instrument delivers looks, tone, and playability, and is a great option for beginning players through professional musicians thanks to its high-quality build and popular price tag.

In stock

SKU: CH44CH Categories: , , Tags: , , , , UPC: 825362172543

Description

Specifications

Body
Body Construction Solidbody
Body Wood Mahogany
Top Carve Shallow Violin
Neck
Number of Frets 24
Scale Length 25″
Neck Wood Maple
Neck Construction Scarfed
Truss Rod PRS Double-Acting
Neck Shape Wide Thin
Neck Depth at the 1/2 Fret 13/16″
Neck Depth at the 12 1/2 Fret 57/64″
Neck Width at the Nut 1 11/16″
Neck Width at the Body 2 1/4″
Fretboard Wood Rosewood
Fretboard Radius 10″
Fretboard Inlay Birds
Headstock Logo Signature “SE”
Neck/Body Assembly
Neck/Body Assembly Type Bolt-On
Hardware
Bridge PRS Patented Tremolo
Tuners PRS Designed Tuners
Hardware Type Nickel
Nut PRS
Truss Rod Cover “CE”
Electronics
Treble Pickup 85/15 “S”
Bass Pickup 85/15 “S”
Controls Volume and Push/Pull Tone Control w/ 3-Way Toggle Pickup Switch
Additional Info
Strings PRS Classic 9-42
Tuning Standard (6 String): E, A, D, G, B, E
Case Gig Bag

For more options check out our Electric Guitars

Brand

PRS - Paul Reed Smith

Paul Reed Smith

This passion for quality affects not only the work habits of individuals but also the structure of the whole company. Paul Smith: “We’re not organized like other companies. Every PRS craftsperson is a self-contained quality control ‘department.’ They have a lot of authority over their work, and if a guitar falls short in any way, they don’t pass it on to the next stage, and they make that decision themselves. They hand guitars back and forth all the time, and they inspect everything over and over. It’s like an old European guild or a shop. There’s a constant ‘is this good enough?’ conversation out there on the factory floor. So the quality control begins at the workbench. It’s not something we overlay or tack on. It’s an integral, organic part of the process, beginning with design and materials selection and going through every single step in construction and testing.”

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