PRS SE Custom 22 Semi-Hollow Electric Guitar – Gray Black

$1,079.99

The PRS SE Custom 22 Semi-Hollow has musical midrange and outstanding resonance. The semi-hollow body provides an airy, sweet tone but with a twist of the tone knob, the dual humbuckers can get plenty of bright spank. Additional appointments include a maple top, mahogany back and neck, rosewood fretboard, and dual 85/15 “S” pickups with volume and push/pull tone controls (for coil tapping) paired with a 3-way blade pickup selector. 85/15 “S” pickups lend remarkable clarity and extended high and low end to this semi-hollow’s voice.

The SE Custom 22 Semi-Hollow is both versatile and comfortable, making it a reliable tool for professionals, a solid choice for beginners, and a welcome addition to any arsenal.

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Description

SPECIFICATIONS

BODY
Top Wood Beveled Maple with Flame Maple Veneer
Back Wood Mahogany
Body Contruction Chambered with Single F-Hole
NECK
Number of Frets 22
Scale Length 25″
Neck Wood Maple
Neck Shape Wide Thin
Neck Depth At The Nut
25/32″
Width of Fretboard at the Body
2 1/4″
Width of Fretboard at the Nut
1 11/16″
Fretboard Wood Rosewood
Fretboard Inlay Birds
HARDWARE
Bridge PRS Patented Tremolo, Molded
Tuners PRS-Designed Tuners
Hardware Type Nickel
ELECTRONICS
Treble Pickup 85/15 “S”
Bass Pickup 85/15 “S”
Controls Volume and Push/Pull Tone Controls with 3-Way Blade Pickup Switch

Brand

PRS - Paul Reed Smith

Paul Reed Smith

This passion for quality affects not only the work habits of individuals but also the structure of the whole company. Paul Smith: “We’re not organized like other companies. Every PRS craftsperson is a self-contained quality control ‘department.’ They have a lot of authority over their work, and if a guitar falls short in any way, they don’t pass it on to the next stage, and they make that decision themselves. They hand guitars back and forth all the time, and they inspect everything over and over. It’s like an old European guild or a shop. There’s a constant ‘is this good enough?’ conversation out there on the factory floor. So the quality control begins at the workbench. It’s not something we overlay or tack on. It’s an integral, organic part of the process, beginning with design and materials selection and going through every single step in construction and testing.”

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