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$1,429.99
The SE Mark Holcomb SVN model truly stands on its own in the PRS lineup and delivers addictive playability thanks to some unique specifications, including a 24-fret, 26.5” scale length, wide thin satin maple neck with 20” radius ebony fretboard. Holcomb’s signature Seymour Duncan Alpha and Omega 7-string pickups provide the right amount of output and articulation whether you’re playing sophisticated chords or solos and whether you’re playing alone or working in the mix of a band. Other specifications include black hardware, a 3-way blade pickup switch with push/pull tone knob for coil splitting, and the choice of a quilted maple or walnut veneer. The model is topped off with coil-taps for the pickups and a string-through, plate-style, 7-string bridge.
In stock
Description
“My SE SVN has become the perfect counterpart to my SE six-string, and an absolute mainstay in Periphery’s live rig. It’s designed to be aggressive, but its core features allow it to be diverse enough to handle clean and mid-gain tones just as effectively. If you’ve played my SE six, you’ll find that this builds off what we established with that guitar and more.” – Mark Holcomb, Periphery
SPECIFICATIONS
| BODY | |
|---|---|
| Top Wood | Beveled Maple Top w/ Quilted Maple or Walnut Veneer |
| Back Wood | Mahogany |
| NECK | |
|---|---|
| Number of Frets | 24 |
| Scale Length | 26.5” |
| Neck Wood | Maple w/ Satin Finish |
| Neck Shape | Wide Thin |
| Fretboard Wood | Bound Ebony |
| Fretboard Inlay | Birds |
| Fretboard Radius | 20″ |
| HARDWARE | |
|---|---|
| Bridge | Plate Style Bridge (String Through) |
| Tuners | PRS-Designed tuners |
| Hardware Type | Black |
| ELECTRONICS | |
|---|---|
| Treble Pickup | Holcomb Sig Seymour Duncan “Alpha” |
| Bass Pickup | Holcomb Sig Seymour Duncan “Omega” |
| Controls | Volume & Push/Pull Tone Control w/ 3-Way Blade Pickup Switch |
| Strings | 10, 13, 17, 30, 42, 52, 64 |
| Included Accessories | Gig Bag |
For more options visit our PRS section
Brand
PRS - Paul Reed Smith
Paul Reed Smith
This passion for quality affects not only the work habits of individuals but also the structure of the whole company. Paul Smith: “We’re not organized like other companies. Every PRS craftsperson is a self-contained quality control ‘department.’ They have a lot of authority over their work, and if a guitar falls short in any way, they don’t pass it on to the next stage, and they make that decision themselves. They hand guitars back and forth all the time, and they inspect everything over and over. It’s like an old European guild or a shop. There’s a constant ‘is this good enough?’ conversation out there on the factory floor. So the quality control begins at the workbench. It’s not something we overlay or tack on. It’s an integral, organic part of the process, beginning with design and materials selection and going through every single step in construction and testing.”
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