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PRS SE Silver Sky Rosewood Electric Guitar – Ever Green

$919.99

The PRS SE Silver Sky is a familiar iteration of the original Silver Sky model that was first introduced
with John Mayer in 2018. This workhorse guitar provides ample tone and playability in four distinct
colors, delivering looks, feel, and sound.
The PRS SE Silver Sky starts with a poplar body, bolt-on maple neck, and rosewood fretboard with
PRS trademark bird inlays. The 22-fret, 25.5” scale length neck features the original 635JM carve
and an 8.5” fretboard radius, so the PRS SE Silver Sky will feel right at home. Plug it in, and the
three single-coil 635JM “S” pickups will bark and sing. This guitar is anchored by a two-point steel
tremolo, synthetic bone nut, and vintage-style tuners. Other design features include the PRS Silver
Sky inverted headstock shape and the PRS double-acting truss rod (accessible from the front of
the headstock for ease of use). Ships with PRS Classic 10-46 strings and gig bag

Out of stock

SKU: J2R4J Categories: , , Tags: , , , UPC: 825362102571

Description

SPECIFICATIONS

BODY
Body Construction Solidbody
Body Wood Poplar
Top Carve Flat Top
NECK
Number of Frets 22
Scale Length 25.5″
Neck Wood Maple
Neck Construction Multi-Ply
Truss Rod PRS Double-Acting
Neck Shape 635JM
Neck Depth at the 1/2 Fret 27/32″
Neck Depth at the 12 1/2 Fret 31/32″
Neck Width at the Nut 1 41/64″
Neck Width at the Body 2 15/64″
Fretboard Wood Rosewood
Fretboard Radius 8.5”
Fretboard Inlay Small Birds
Headstock Logo Signature “SE”
NECK/BODY ASSEMBLY
Neck/Body Assembly Type Bolt-On
HARDWARE
Bridge 2-Point Steel Tremolo
Tuners Vintage-Style
Hardware Type Nickel
Nut Synthetic Bone
ELECTRONICS
Treble Pickup 635JM “S”
Middle Pickup 635JM “S”
Bass Pickup 635JM “S”
Controls Volume and Two Tone Controls with 5-Way Blade Pickup Switch
ADDITIONAL INFO
Strings PRS Classic 10-46
Tuning Standard (6 String): E, A, D, G, B, E
Case Gig Bag

For more options check out our PRS section

Brand

PRS - Paul Reed Smith

Paul Reed Smith

This passion for quality affects not only the work habits of individuals but also the structure of the whole company. Paul Smith: “We’re not organized like other companies. Every PRS craftsperson is a self-contained quality control ‘department.’ They have a lot of authority over their work, and if a guitar falls short in any way, they don’t pass it on to the next stage, and they make that decision themselves. They hand guitars back and forth all the time, and they inspect everything over and over. It’s like an old European guild or a shop. There’s a constant ‘is this good enough?’ conversation out there on the factory floor. So the quality control begins at the workbench. It’s not something we overlay or tack on. It’s an integral, organic part of the process, beginning with design and materials selection and going through every single step in construction and testing.”

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