PRS SE Mark Holcomb Electric Guitar – Holcomb Burst

$1,299.99

The SE Mark Holcomb model truly stands on its own in the PRS lineup and delivers addictive playability thanks to some unique specifications, including a 24-fret, 25.5” scale length wide thin satin maple neck with 20” radius ebony fretboard. Holcomb’s signature pickups provide the right amount of output and articulation whether you’re playing sophisticated chords or solos and whether you’re playing alone or working in the mix of a band. Other specifications include a quilted maple veneer, black chrome hardware, and a 3-way blade pickup switch with push/pull tone knob for coil splitting.

The band Periphery has become a force to be reckoned with in the progressive metal scene thanks to their complex rhythms and soaring melodies. Guitarist Mark Holcomb helps achieve this full, lethal sound with his PRS guitars and signature Seymour Duncan Alpha and Omega pickups. PRS and Holcomb have worked closely together to develop a truly unique guitar for the SE Series lineup.

“With my SE signature model, we managed to capture all of the defining characteristics of my Maryland-made guitar and turn it into a streamlined, less-costly package. It is an incredibly special instrument, and one that is now the primary focus of my rig in the studio and onstage.” – Mark Holcomb, Periphery

In stock

Description

SPECIFICATIONS

BODY
Top Wood Beveled Maple with Quilted Maple Veneer
Back Wood Mahogany
NECK
Number of Frets 24
Scale Length 25.5″
Neck Wood Maple w/ Satin Finish
Neck Shape Wide Thin
Fretboard Wood Ebony
Fretboard Inlay Birds
HARDWARE
Bridge PRS Plate Style (String Through)
Tuners PRS Designed Tuners
Hardware Type Black Chrome
ELECTRONICS
Treble Pickup Mark Holcomb Signature Seymour Duncan “Omega”
Bass Pickup Mark Holcomb Signature Seymour Duncan “Alpha”
Controls Volume and Push/Pull Tone Control with 3-Way Blade Pickup Switch
ADDITIONAL INFO
Strings 10-52
Tuning Drop-C (6 String): C, G, C, F, A, D
Case Gig Bag

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Brand

PRS - Paul Reed Smith

Paul Reed Smith

This passion for quality affects not only the work habits of individuals but also the structure of the whole company. Paul Smith: “We’re not organized like other companies. Every PRS craftsperson is a self-contained quality control ‘department.’ They have a lot of authority over their work, and if a guitar falls short in any way, they don’t pass it on to the next stage, and they make that decision themselves. They hand guitars back and forth all the time, and they inspect everything over and over. It’s like an old European guild or a shop. There’s a constant ‘is this good enough?’ conversation out there on the factory floor. So the quality control begins at the workbench. It’s not something we overlay or tack on. It’s an integral, organic part of the process, beginning with design and materials selection and going through every single step in construction and testing.”

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